How are archives defined?
What exactly constitutes an archive? Are academic or institutional archives the only valid form of archives? What has been the main purpose of archives? Has/should that main purpose change for users in the 21st century? How do archives engage the public? What does the public need and want from archives? Should individuals and/or institutions offer their collections to archives, either in analog or digital form? How should archives be accessible? What does accessible mean in archives that assume ownership, see collections as property, require identification and other information, are heavily surveilled, and use categorization systems that reinforce cultures of exclusion and oppression?
In the last five years or so, individuals and groups throughout the U.S. and the diaspora have increasingly created their own analog and digital archive projects. They have collected, organized and contextualized material in ways that make sense for them.
Examples of Inclusive Archives
Association of Tribal Archives, Libraries & Museums (ATALM)
ATALM is an international non-profit organization that maintains a network of support for indigenous programs, provides culturally relevant programming and services, encourages collaboration among tribal and non-tribal cultural institutions, and articulates contemporary issues related to developing and sustaining the cultural sovereignty of Native Nations.
Blackivists provide professional expertise on cultural heritage archiving and preservation practices to document historically excluded communities. They do this by helping individuals and organizations inventory, document, and preserve all aspects of their historical experiences. The organization aims to empower people to use the past to speculate on and create through direct action radical, liberatory, and inclusive futures for us all.
The Society of American Archivists
The Society of American Archivists empowers archivists to achieve professional excellence and foster innovation to ensure the identification, preservation, understanding, and use of records of enduring value. SAA is a vital community that promotes the value and diversity of archives and archivists and serves as the preeminent resource for the professional archives.
- What constitutes an archive?
- How can archives facilitate communal forms of learning and knowledge production?
- How can archives engage in public history?
- Does making archives digital help them to be more accessible and what are the ethical considerations of that?
- Are archives more accessible than more traditional forms of public history? What does accessibility look like in these spaces?
- What can fugitive archives offer that institutional archives cannot?
- Archive Alive
- The Blackivists
- Black Beauty Archives
- Black Joy Archive
- The Gates Preserve
- Invisible Histories Project
- Nomadic Archivists Project
- A People's Archive of Police Violence in Cleveland
- People's Database - A Berkeley Copwatch + WITNESS Initiative
- Project STAND - Student Activism Now Documented
- To Mary With Love
- WITNESS
- Archivists Supporting Activists
- Black Metropolis Research Consortium - Protest in the Archives
- The Blackivists, "The Blackivists' Five Tips for Organizers, Protestors, and Anyone Documenting Movements," Sixty Inches From Center, 2020
- Deyane Moses, Maryland Institute Black Archives
- Jarrett M. Drake, “I’m Leaving the Archival Profession: It’s Better This Way,” Medium (2017)
- Documenting the Uprising: A Panel Discussion on Archiving and Activism, Brooklyn Public Library (2021)
- Loss/Capture, Sixty Inches From Center
- Meg Williams and Zakiya Collier, "Archiving with Care: A Conversation with Zakiya Collier," Medium (2020)
- Saidiya Hartman, "Venus in Two Acts," Small Axe (2008)